The anthropologist who raps. A lifetime emcee with a researcher's ear, writing sets for rooms that came to think and leave humming.
“Motivational rapper, inspire new chapters,
mobilize this art form to assist with resisting capture.”Original bar, Deej Aye
Deej Aye shapes his performance around why your audience has gathered. A festival crowd, a conference plenary, a classroom or a community celebration each comes with its own purpose, and he builds the set to serve it: lifting energy, opening a conversation, honouring a story or sending people back to their work with a new chapter in mind. Hip hop has always grown this way, live and in the room, through people who were there telling people who weren't.
Stripped-back looped set with room for conversation and audience participation.
The full live-looped show: beatbox, percussion and call-and-response, paced as a headline set or a strong support slot.
A high-energy set, or the lecture-performance as a main-stage keynote that keeps a thousand people awake after lunch.
General or themed. Book an open program of his own material for a general audience, or a themed set with a verse written on your subject, cause or community.
On request, ahead of the date he reaches out to aligned community groups, schools, campuses and networks near your venue, and sends ready-to-post clips, captions with alt text and a short personal invite for your channels.
For themed programs: send the topic, the keynote or the community's story, and he writes and performs an original piece on it, so the set lands as part of your program.
One fee, one travel booking: a performance, a workshop and a panel seat in the same visit. More program per dollar, and more ways for new people to find the show.
For presenters who report to funders or boards, a trained evaluator can run a three-question audience pulse and returns a one-page summary you can drop into a funder acquittal, board report or next season's pitch.
Solo act with beatbox looping and hand percussion. Small footprint, quick changeover, no backline needed.
He can work lines in Spanish, Portuguese or Hebrew into a set, for rooms where more than one language lives.
| Format | What happens | Typical length | Best for |
|---|---|---|---|
| Live setConcert | Original conscious hip hop and knowledge rap, built live with beatbox loops and percussion. Call-and-response moments bring the room in. | 20–45 min | Festivals, cultural centres, launches, galas |
| Lecture-performanceKeynote | “The Anthropologist Who Raps”: how rap works as a memory and cultural technology, delivered half as talk, half as performance. | 45–60 min | Conferences, universities, sustainability and education events |
| WorkshopHands-on | Participants write and perform a group verse on your topic. Teaches creative communication, rhythm and confident delivery. | 90 min – half day | Schools, youth programs, staff retreats, comms teams |
| ResidencyMulti-day | Co-designed with a community or class; ends in a public showcase of the work made together. | 2–10 days | Schools, libraries, community and council programs |
| CommissionBespoke | An original anthem or jingle for your campaign or event, recorded and licensed for your channels. | Scoped per project | Mission-driven brands, utilities, campaigns, festivals |
Fees are tiered for community, festival, education and corporate presenters. Quote on request.
A partnership with science, technology, education, arts and maths educators to teach through rap.
▶ YouTubeAdvertising messages and social-justice advocacy for a community-owned solar utility, in one track.
▶ YouTubeFeatured video from ABÔDE R+D's creative communications practice.
Tell him the date, the room and the theme. You'll get a set proposal, including the custom verse idea, within a week.